KAPUTTShape shifting Canadian pop craftsman Daniel Bejar's ninth studio album under the Destroyer moniker added a whole lot of Bryan Ferry to a pot already boiling over with copious amounts of Bowie, Dylan, and T. Rex. Bejar's predilection for pairing Oscar Wilde inspired, semi apocalyptic witticisms with glam kissed, minor seventh retro pop remained intact, but where previous outings like This Night and Streethawk: A Seduction mined the '70s for
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