Houston Publishing DIn 2002, Mark Lanegan was looking to make some changes in how he approached his music the Screaming Trees had finally collapsed at the end of the '90s, he'd found a new fan base as a frequent guest vocalist with Queens of the Stone Age, and the spare, blues leaning solo efforts Lanegan cut for Sub Pop were no longer side projects but the first chapters of a new career. As Lanegan was strategizing his next move, he went to Houston, Texas and in five